It
is important to read all of the pages on the site so
that you completely understand my modus operandi.
ANSWERS TO FREQUENTLY ASKED QUESTIONS
- I
don't charge a reading fee.
- I
have a foreign rights agent based in London who
represents my agency, selling translation rights.
- I
have numerous literary scouts working on behalf of my
clients. Scouts promote writers to publishers in
non-English-speaking countries.
- I
have two agencies in New York who will represent my
clients in North America.
- I
have a film agent in London who sells rights on behalf
of my clients.
- My
commission rates are available on request.
- Once
we are working together any photocopying, postage,
bank charges and any mobile, national and or
international phone calls will be charged to you.
- I
don't work with poetry, individual short stories or
articles.
- I
am a founding member of the NZALA
(New Zealand Association of Literary Agents).
- I
don’t edit my authors’ manuscripts (although I may
suggest some editorial changes before submitting to a
publisher).
- If
you want your manuscript assessed or edited, check out
the information I have on the links page about the
best editors to work with, as well as the New Zealand
Association of Manuscript Assessors (NZAMA).
- For
other useful websites, check out the LINKS page.
SUBMISSION GUIDELINES
If you think you are ready to submit your manuscript to
an agent and you would like to talk to me here are some
pointers:
- Write, e-mail or phone in advance of
sending any material to check if I am taking on
clients. This saves a lot of time for everyone. Tell
me what it is you want to submit, i.e. a piece of
adult fiction or children’s non-fiction.
- If you intend submitting your writing to
more than one agent it is courteous to let all
agents know of your plans.
- I do not represent clients with one-off
projects. Nor do I work with poetry, short story
collections or picture books.
- I don't accept submissions by e-mail or
fax.
- Never send original material – always
send a copy.
- If you want me to acknowledge receipt of
your manuscript please enclose a stamped, addressed
postcard.
- Include a covering letter and a one-page
synopsis.
- Send the first three chapters of your
book.
- The manuscript must be printed in double
spacing on one side of A4 paper.
- Do not send bound pages.
- Number the pages.
- Print the title, your name and contact
details on the cover page.
- Include the word count.
- Include your CV.
- Tell me details of the books you have
had published, who the publisher is, when it was
published and how many copies sold.
- If you want your material returned,
please include an SAE.
WHAT HAPPENS NEXT?
Once I have read your manuscript and decided that I like
your writing then:
- I will phone or arrange to meet – that
way we will both know that we're comfortable working
together. I will explain how the submission process
works. It's a good idea for you to have lots
of questions to ask so that I can address any of
your concerns.
- If it's necessary I will advise you how
to revise the proposal and/or the manuscript, either
personally or in conjunction with a freelance
editor.
- I will compile a list of the best
publishers for your project and make calls to
establish interest and circulate your project.
It is usual to submit to one publisher at a time
with the responses usually arriving within four
weeks. The time frame can vary from project to
project and from editor to editor.
- Often there will be rejections and I
will discuss these with you and together we can
decide how to proceed. However, with some luck and
good management there will be an offer that will
lead to a publishing contract.
- The contract terms offered will be based
on the number of books the publisher thinks they can
sell. I discuss the offer with you and begin
negotiations with the publisher.
- There are many ways of submitting
manuscripts. The norm is the way described above. A
multiple submission involves submitting to a number
of publishers and giving them a time frame in which
to respond. A multiple submission hopefully ends
with the author and agent deciding which offer is
most favourable. Finally, if there is a lot of
interest in a project I can undertake an auction and
the highest bidder wins. However, auctions are
rarely held in New Zealand.
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